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Preserving the Art of Shanxi Black-Glazed Pottery
Working with local Shanxi clay and mineral glazes, Wang Xueqiang preserves traditional black-glazing techniques and brings this ancient ceramic art into contemporary life.
A representative inheritor of traditional black-glazed pottery craftsmanship in Taiyuan.
Recognized for preserving and developing traditional Shanxi ceramic techniques.
A graduate of Jingdezhen Ceramic University with extensive experience in ceramic art.
Winner of the 2015 Shengong Cup Gold Award for arts and crafts.
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Born in Jinci, Taiyuan, Wang Xueqiang developed a passion for pottery at an early age. He later graduated from Jingdezhen Ceramic University and studied under renowned Shanxi ceramic artist Shui Jisheng.
Using local Shanxi clay and mineral materials, Wang preserves traditional techniques such as iron-red, oil-spot, wood-ash, kiln-transmutation and Fahua glazing. By combining ancient craftsmanship with contemporary design, he brings the natural beauty and cultural spirit of Shanxi ceramics into modern life.
Local Materials · Traditional Glazes · Natural Kiln Transformation
Made from iron-rich Shanxi clay and local mineral glazes, each piece follows traditional handcrafting and high-temperature firing techniques. Changes in heat, flame and kiln atmosphere create naturally formed colors and patterns, making every piece unique.
Black-glazed pottery has a long history in China and reached its artistic height during the Song dynasty, when dark-glazed tea bowls became closely connected with tea-whisking and tea competitions. With abundant local clay and a rich kiln tradition, Shanxi developed distinctive techniques such as oil-spot, hare’s-fur, kiln-transmutation and carved black glaze. Their deep colors and naturally formed patterns reflect both the beauty of fire and the character of northern Chinese craftsmanship.
Selected natural clay is refined and kneaded for a smooth, even texture.
Each piece is shaped and trimmed by hand to create a balanced form.
The shaped piece is first bisque-fired, then carefully coated with traditional black glaze.
High-temperature firing transforms the glaze, revealing its deep color and distinctive finish.
Rooted in Shanxi’s ceramic tradition, Wang Xueqiang continues to explore the possibilities of local clay, traditional glazes and kiln firing. Each piece reflects a balance between heritage, craftsmanship and contemporary expression